Stereo sound is superior to mono sound in almost all cases. It creates a richer and more detailed listening experience because more audio is recorded than in mono format and is presented in a more organic way. Unless some other superior form of sound recording is just around the corner, the stereo is definitely here to stay. Stereo is much better for the average listener.
It sounds broader, more detailed and more realistic. However, in places that have several speakers, such as clubs, cafes or restaurants, the stereo system can cause phase cancellation problems and therefore make mono the right choice. Mono audio tends to sound flat, tight and less dynamic. This is because all audio elements are grouped together on the same channel and are played at the same volume.
It usually sounds as if it came from a single point on a 2D plane, usually the front or the center. You can then distribute them throughout the stereo field or the stereo image by moving the audio to the left, right, and center. Ultimately, it's best to use stereo audio if you want to record with lots of acoustic elements, such as a live music performance or reverberating instruments such as a violin or guitar. If you choose to use a stereo playback system, be sure to place your head in an equilateral triangle with the speakers.
Mono signals are recorded and reproduced using a single audio channel, while stereo sounds are recorded and reproduced using two audio channels. But, if the voice sounds too bright, adjust the tone to a negative amount to keep it out of the high range. I downloaded it a couple of months ago and use it every time I convert the mono recordings to stereo. If you've ever observed the waveform of a stereo audio file on a digital audio workstation (DAW), you've probably noticed that there are two waveforms apart from the file.
Depending on the combination between the left speaker and the right speaker, the perceived location of the sound source can be adjusted anywhere between the two speakers. The stereo microphone technique it uses is called the X-Y technique; it tends to produce a moderately wide stereo image that is also compatible with mono. We can use the stereo field to make room for all the elements of the mix and make it sound wide and prominent. When processing a stereo recording, you'll need to move one of the microphone recordings to the left and the other to the right.
If a sound originates directly in front of you, the sound will travel the same length to your left and right ears. Stereo audio files, such as MP3 and WAV stereo files, contain information about the left and right channels that tell the left and right speakers when to press and extract air. But when you record several items, I would prefer to record in stereo to get the difference in volumes between the items on the different channels. At the time the records were produced, two separate mixes were made, one for mono and one for stereo.
Mono is better if the original recording was in mono, artificially created stereo albums are the equivalent of post-production 3D movies.