Stereo sound is superior to mono sound in almost all cases. It creates a richer and more detailed listening experience because more audio is recorded than in mono format and is presented in a more organic way. Unless some other superior form of sound recording is just around the corner, the stereo is definitely here to stay. In general, mono or stereo audio is not categorically better than the other.
Both types of audio serve a purpose. And both have features that can benefit your listening experience and your recordings if you know how and when to use them. Stereo is much better for the average listener. It sounds broader, more detailed and more realistic.
However, in places that have several speakers, such as clubs, cafes or restaurants, the stereo system can cause phase cancellation problems and therefore make the mono the right choice. The difference between monophonic (mono) and stereophonic (stereo) sound is the number of channels used to record and play audio. Mono signals are recorded and reproduced using a single audio channel, while stereo sounds are recorded and reproduced using two audio channels. As a listener, the most notable difference is that stereo sounds are capable of producing the perception of width, while mono sounds are not.
Mono sound recording is done primarily with a microphone, and only one speaker is required to hear the sound. In the case of headphones and multiple speakers, the routes are mixed into a single signal path and transmitted. The signal does not contain level, arrival time or phase information that can replicate or simulate directional signals. Everyone hears the same signal and with the same level of sound.
The sound played, for example, by each instrument in a band will not be heard clearly, even though it will have total fidelity. Portable recorders record sound in mono. . Mono mixing is useful to ensure that the song is translated and that the information is not erased or otherwise lost.
For example, when the left and right speakers reproduce exactly the same signal, you'll notice that the sound source is placed directly between the speakers; this is called a phantom mono sound source because the true sound sources (the speakers) are located on the sides. This way, you get “A” and “B” parts that you can combine and create a complete and beautiful stereo image. Known as “pseudo-stereo”, this guy uses audio software to duplicate tracks in mono and add effects. You can achieve an even wider stereo image by tilting the microphones out or using different acoustic guitar recording techniques.
I downloaded it a couple of months ago and use it every time I convert mono recordings to stereo. One way to find out is to open the audio file in a program like Audacity to check if the file has two waveforms (stereo) or just one (mono). Many portable recorders offer the ability to record in stereo, capturing sound with a pair of built-in microphones. Mono sound is preferred in radiotelephony communications, telephone networks and radio stations dedicated to talk shows and conversations, PA systems and headphones.
But keep in mind that the playback will take place in dual mono mode, in which the audio signal is simply duplicated and played simultaneously on the left and right channels. The drawbacks of stereo audio recording are that it requires more equipment, making it more expensive. However, if you record two or more vocalists or if you record in a room with unique acoustics, the vocals should be stereo. When processing a stereo recording, you'll need to move one of the microphone recordings to the left and the other to the right.
Mono signals are recorded with a single microphone and then printed on an audio track with one channel. Most listeners are going to be in their car or listening on stereo systems where they aren't really in the sweet spot. The vast majority of current audio systems support stereo signals, and it seems that it is becoming an increasingly standard audio system today. .